Admittedly this idea is borrowed or maybe a better word is inspired, by a September 2015 piece in the Pittsburgh Orbit about abstract art that had been described in the post:
“created and maintained as a joint effort between some number of indefatigable spray paint-wielding taggers and what we imagine is a combination of city D.P.W. (Department of Public Works) ‘graffiti busters’ and concerned citizens taking matters into their own hands.”
No. 2 (St. Johns Coffee Shop)
From that post, I recognized the local angle of the Rothko style graffiti cover-up. Mark Rothko, the abstract expressionist painter, lived in Portland during his youth. Not to make light or be too simplistic, but it seems like growing up with Portland’s dreary rainy season weather could have contributed to the depression he suffered in his life.
No. 6 ( Upholstery Shop, Lombard St.)
Finding out that Rothko attended Lincoln High School blew me away. When I consider a couple of other graduates including voice artist Mel Blanc of Bugs Bunny, Daffy Duck and many other Warner Bros cartoon characters fame and Simpson’s creator Matt Groenig; they represent a hallowed trinity of creative geniuses. These guys make me think there’s a force field within the walls of the school or a hyperbolic chamber there that shaped these minds. This theory begs for more research and a separate blog post. It might also get me arrested if I were to wander into the school unannounced, spouting such theories and making demands to complete my research by being directed to the genius chamber. This trinity idea, and in the creative world I consider it holy, may be thwarted by the possibility that there may be even more famous and weirder Lincoln graduates which would create a new theory about something being in the water from the drinking fountains creating the possibility of my being arrested multiple times for trespassing to drink from these fountains. These days you don’t want to drink from any fountain in a Portland Public School due to impending lead testing.
Color Fields in action.
No. 13 (Peninsular Ave)
My aim is to acknowledge an accidental Rothko homage in a technique used to cover up graffiti that’s seen all over town. Big blotchy splotches with features from Rothko’s color field paintings are painted on building walls and under overpasses. They don’t measure up to the abstract expressionism work of Rothko, but they could be considered elementary renditions if a bit of imagination were employed. This coincidental connection is a way of honoring a man that Portland needs to claim as a favorite son. He did spend his formative years here and received most of his education in Portland before getting the hell out and going to Yale.
No. 21 (railroad bridge support, Columbia Blvd next to I-5 overpass)
A block of paint to cover graffiti serves as an accidental nod to Rothko. It’s barely in the ballpark though because it’s rare to see the more dynamic colors Rothko preferred like maroon or orange. Instead we get industrial shades of gray, brown and beige. While I appreciate the efforts to clean up vandalism, I’ve never understood the idea of not using a similar or identical paint color in order to get a less Rothko result.
In threes: Color Field, Max Bridge near the Denver Ave. Station
Ultimately, I like these unintended reminders of Rothko. I’m left to wonder if his childhood spent in Portland inspired his art style. When I think of Rothko, Portland and big blocks of paint with sharp edges it all comes full circle.
No. 28 (Columbia Blvd)
No. 25 (Concrete Brown, N Argyle St)
View a video edition of this blog post with additional photos: https://youtu.be/Lsi5ZOAOb9c